A Certain Ratio
A Certain Ratio | |
|---|---|
| Also known as | ACR, Sir Horatio |
| Origin | Flixton, Greater Manchester, England |
| Genres | |
| Years active | 1977–present |
| Labels | Factory, A&M, Rob's Records, Mute |
| Associated acts | Swing Out Sister, Swamp Children/Kalima |
| Website | www |
| Members |
|
| Past members |
|
A Certain Ratio (abbreviated as ACR) are an English post-punk band formed in 1977 in Flixton, Greater Manchester by Peter Terrell (guitar, electronics) and Simon Topping (vocals, trumpet), with additional members Jez Kerr (bass, vocals), Martin Moscrop (trumpet, guitar), Donald Johnson (drums), and Martha Tilson (vocals) joining soon after.[7][8] Drawing heavy influence from funk as well as disco and Latin percussion,[9] the band were among to first to debut on Tony Wilson's Factory Records in 1979 with "All Night Party," produced by Martin Hannett.[8] During ACR's early years with Factory, they scored seven Top Ten U.K. independent releases, highlighted by "Flight" and "Waterline," and released five albums beginning with The Graveyard and the Ballroom (1979).[10]
Following late-'80s and early-'90s phases with major-label A&M and Rob Gretton's independent Robs Records, ACR were intermittently active. They returned to the studio for the 2008 album Mind Made Up and since then have continued to perform, with their catalog recirculated through an arrangement with Mute Records. ACR continued to perform into the late 2010s, and during 2017-2019 expanded, reissued, and anthologized their catalog once more, this time through Mute Records, who they continue to release new recordings through.
History[edit]
The Factory era[edit]
The band was formed by singer Simon Topping and guitar/electronics player Peter Terrell, who after initially performing as a duo, were soon joined by bass guitarist/vocalist Jez Kerr and then guitarist/trumpeter Martin Moscrop, the band playing without a drummer for a year.[11] The band's name is taken from the lyric of Brian Eno's song "The True Wheel" from the 1974 album Taking Tiger Mountain (By Strategy).[12] Their early influences included Parliament, Funkadelic, and Earth, Wind and Fire.[13] This early line-up, with a bass-heavy industrial/funk sound, recorded the group's debut single, "All Night Party", released by Factory Records in September 1979 (the label's first single artist release),[5] with Factory label boss Tony Wilson also becoming their manager, proclaiming the band to be "the new Sex Pistols".[11][14][15] The 5,000 copies that were pressed soon sold out.[16] On 1 October 1979 the band recorded a session for John Peel's BBC Radio 1 show, by which time Donald Johnson had joined the band on drums.[8][17]
Their next release, the cassette-only compilation of demos and live tracks The Graveyard and the Ballroom, was released in January 1980.[14][18] Moscrop started a second band in 1980, Swamp Children (the name later changed to Kalima), that would go on to share several members with A Certain Ratio.[14] In July that year, the band's second single, a cover version of Banbarra's "Shack Up",[8] recorded at cost of £50,[11] was released, followed in November with "Flight" on 12",[19][20] which saw their first placing on the UK Independent Chart, peaking at no. 7.[14][21] "Shack Up" got a US release in January 1981, going on to peak at no. 46 on the Billboard Dance Club Songs chart,[22] and the band expanded to a six-piece with the addition of former Occult Chemistry singer Martha Tilson, with Topping focusing on trumpet and percussion.[14][11]
The expanded lineup recorded their debut studio album; To Each... was recorded in New Jersey with Martin Hannett producing, and released in May 1981.[13][15] It topped the UK Independent Chart.[14][21] They recorded a second Peel session in June, and finished the year with the single "Waterline", which was another top 10 indie chart hit.[17][21] The band's second studio album, Sextet, followed in January 1982,[8] now incorporating elements of acid jazz. funk, and latin music, and again topped the indie albums chart,[21] also peaking at no. 55 on the UK Albums Chart.[14][23] In February 1982 they released the dub reggae single "Abracadubra" under the pseudonym 'Sir Horatio'.[2][14] They had further indie charting singles that year with "Guess Who?" and "Knife Slits Water", and recorded a third Peel session in November, now without Tilson, but with Andy Connell added on keyboards and percussion.[21][17] The band's third album, I'd Like to See You Again,[8] was also issued in November 1982, reaching no. 2 on the indie albums chart.[14][21]
The band's two founding members, Topping and Terrell, left the band in late 1982.[16] Simon Topping recorded a solo single before forming T-Coy with former Quando Quango (and later M People member) Mike Pickering.[14] The band regrouped and returned in October 1983 with the single "I Need Someone Tonight" (with Carol McKenzie on vocals), another top-10 indie hit.[14] Tony Quigley (of Kalima) joined on saxophone, and the band released three singles in late 1984 and 1985, before a remixed 'best of' compilation, The Old and the New, was issued in December.[14] Connell left in 1985 to form Swing Out Sister, whose singer Corinne Drewery guested on ACR's next album, Force (1986), their last for Factory.[14] In January 1986 they performed live on Channel 4 music show The Tube.[24]
1989–1997: A&M, Rob's Records, and Creation Records[edit]
New releases were sparse during the next two years. Dojo Records released a 1985 live recording as Live in America in February 1987,[25][26] and Italian label Materiali released the 'Greeting Four EP five months later.[14][27] The band signed with A&M Records in 1987, the lineup now Kerr, Moscrop, Johnson, and Quigley, the first releases for the label the singles "The Big E" and "Backs to the Wall", which preceded the album Good Together, released in September 1989.[14] A 50–minute recording of a live show from London was broadcast on British television in October.[28] They also set up their own SoundStation studio in Manchester.[16] The band's only significant chart success with A&M came with the 1990 single "Won't Stop Loving You", which peaked at no. 55 on the UK Singles Chart, although the first two singles also made the lower reaches of the chart.[14] The album acr:mcr followed, but the band were then dropped from the label.[8]
In 1991, they signed with Rob's Records, owned by New Order manager and former Factory Records partner Rob Gretton, releasing a string of singles and the album Up in Dowsnville (1992).[14][29][8] In 1994, Creation Records began reissuing the band's albums on the Rev-Ola sub-label, and also released two EPs of remixes.[14] The band's first original material for almost three years was released in August 1996, with the live Soundstation Volume 1 EP, followed in November with the Change the Station album.[30] A second Soundstation live EP was released in March 1997, the band's last release for some time.[14]
In 2002 Soul Jazz Records reissued the albums with bonus tracks (but using the same masters as the Creation editions). Further re-issues and a live recording from 1980 were also made available on the LTM label.
2000s return[edit]
The band played occasional live shows between 2002 and 2007, and performed in the US for the first time since 1985 on 16 November 2008, headlining the Part Time Punks festival at The Echo in Los Angeles, releasing a new album Mind Made Up the same month, on French label Le Maquis.[2] They performed a headline set at the Offset Festival in London in September 2009, playing alongside fellow post-punk artists The Slits, following a one-off live performance commemorating Factory Records in Dublin, in March that year. They performed at the Plan K, Molenbeek in West Brussels on 12 December 2009 as part of the event, 'A Factory Night (And Then Again)'.[31] This event also featured Section 25, The Wake, The Names and Biting Tongues. Towards the end of 2009, the band announced a live appearance at a fund-raising event at Brighton's Concorde 2 venue on 7 March 2010. Their 2008 album, Mind Made Up was re-issued via LTM Recordings during 2010, along with a redux version of the 1986 set, Force.
In May 2011, they performed on The Satellite Stage at Friends of Mine Festival at Capesthorne Hall near Macclesfield, and were introduced by their friend Terry Christian.
In 2018, Mute Records began reissuing their back catalogue, they released ACR:Set, an album of mostly old tracks with two new tracks, one ("Dirty Boy") recorded with Barry Adamson and featuring a recording of Tony Wilson, and undertook a tour of the UK with dates in Ireland and Finland.[2][32][33] In November 2018 they recorded a session for Marc Riley's BBC Radio 6 Music show, performing new song "Dirty Boy", "Mickey Way", and "Flight".[34]
They released a box set, a 40th anniversary retrospective named acr:box, in May 2019 and toured in support of this.[35][36] It consists of 53 songs providing a detailed career overview to date.[37][38] After collecting their past on 2019's ACR: Box collection, A Certain Ratio has released ACR Loco in September of 2020. Their first album of new material in 12 years. Featuring three original band members – Jez Kerr, Martin Moscrop, and Donald Johnson – along with members of the band's current live ensemble. Loco finds the band in an expansive, jazzy, danceable state of mind. Musically, A Certain Ratio sound far removed from their post-punk roots now, relying more on their sound's dance and funk elements.
In film[edit]
"Wild Party" was used in the soundtrack of the 1985 film Letter to Brezhnev.[39] "Shack Up" was used in the soundtrack of Patrice Chéreau's Intimacy (2001). The band are featured in the 2002 film 24 Hour Party People where Tony Wilson (played by Steve Coogan) describes them as "having all the energy of Joy Division but better clothes".[5] Martin Moscrop was musical supervisor of the film.[40]
Discography[edit]
Albums[edit]
- Studio albums
| Title | Year | Label | Notes | UK Independent Albums Chart[21] | UK Albums Chart[41] |
|---|---|---|---|---|---|
| The Graveyard and the Ballroom | 1979 | Factory – FACT 16 | reissued via Rev-Ola, Universal Sound and Mute | ||
| To Each... | 1981 | Factory – FACT 35 | reissued via Creation and then Soul Jazz | 1 | |
| Sextet | 1982 | Factory – FACT 55 | reissued via Creation and then Soul Jazz | 1 | 53 |
| I'd Like to See You Again | 1982 | Factory – FACT 65 | reissued via Creation, LTM and Factory Benelux | 2 | |
| Force | 1986 | Factory – FACT 166 | reissued via Creation and then LTM (2010) | 2 | |
| Good Together | 1989 | A&M ACR 550 | reissued via Mute | ||
| acr:mcr | 1990 | A&M 397 057-2 | |||
| Up in Downsville | 1992 | Rob's – ROB20 | reissued via LTM (2010) | ||
| Change the Station | 1997 | Rob's – ROB50 | |||
| Mind Made Up | 2008 | Le Maquis | reissued via LTM (2010) | ||
| ACR LOCO | 2020 | Mute - STUMM454 | 69 |
- Compilations and live albums
| Title | Year | Label | Notes | UK Independent Albums Chart |
|---|---|---|---|---|
| The Graveyard and the Ballroom | 1979 | Factory – FACT 16 | Studio demos/live | 29 |
| A Certain Ratio Live in America | 1985 | Dojo – DOJO 47 | Live album | 10 |
| The Old and the New | 1986 | Factory – FACT 135 | Singles compilation | 3 |
| Looking for a Certain Ratio | 1994 | Creation – CRE159B | Remixes | |
| Early | 2002 | Soul Jazz – SJR60 | Compilation | |
| Live in Groningen | 2005 | LTM – LTM 2443 | Live album | |
| acr:set | 2018 | Mute – (CD/)MUTEL28 | Compilation | |
| ACR:BOX | 2019 | Mute – ACRBOX1CD | Compilation | |
| ACR:LOCO | 2020 | Mute | Studio Release |
Singles, EPs[edit]
| A-side/Title | B-side(s)/Tracks | Format | Year | Label | Notes | UK Singles Chart[41] | UK Independent Singles Chart[21] | Billboard Dance Club Songs |
|---|---|---|---|---|---|---|---|---|
| "All Night Party" | "The Thin Boys" | 7" | 1979 | Factory – FAC 5 | ||||
| "Shack Up" | "And Then Again (live)" | 7" | 1980 | Factory Benelux – FBN 1 | ||||
| "Flight" | "Blown Away" "And Then Again" | 12" | 1980 | Factory – FAC 22 | 7 | |||
| "Do The Du (Casse)" | "The Fox" "Shack Up" "Son And Heir" | 12" | 1981 | Factory – FACUS 4 | US release | 46 | ||
| The Double | 2 x 12" | 1981 | Factory – FACT 42 | Italian release inc FAC 22 and FACUS 4 | ||||
| "Waterline" | "Funaezekea" | 12" | 1981 | Factory – FAC 52 | 10 | |||
| "Abracadubra" | "Sommadub" | 12" | 1982 | 666 – Mix 1T | as 'Sir Horatio' | |||
| "Guess Who?" (Parts 1 and 2) | 12" | 1982 | Factory Benelux – FBN 17 | 23 | ||||
| "Knife Slits Water" | "Tumba Rumba" | 7" | 1982 | Factory – FAC 62-7 | 3 | |||
| "Knife Slits Water" | "Kether Hot Knives" | 12" | 1982 | Factory – FAC 62-12 | ||||
| "I Need Someone Tonight" | "Don't You Worry 'Bout A Thing" | 12" | 1983 | Factory – FAC 72-12 (Also promo 7" FAC 72/7) | 8 | |||
| "Life's A Scream" | "There's Only This" | 7"/12" | 1984 | Factory – FAC 112/P | 6 | |||
| "Brazilia" | "Dub" | 12" | 1985 | Factory Benelux – FBN 32 | 13 | |||
| "Wild Party" | "Sounds Like Something Dirty" "Life's a Scream" (live)* "Force" (live)* "Wild Party" (live)* | 12"/cas | 1985 | Factory – FAC 128 | 4 | |||
| "Mickey Way (The Candy Bar)" | "Inside" "Si Firmi O Grido" | 12" | 1986 | Factory – FAC 168 | 9 | |||
| Greetings Four EP | "The Runner" "Inside" "Bootsy" "Fever 103" | 12" | 1987 | Materiali – MASO 70004 | ||||
| "Bootsy" | "Inside" | 7" | 1987 | Factory FAC 1667 | Australasia only | |||
| "Bootsy (Remix)" | "Mickey Way" | 12" | 1987 | Factory - FAC 16612 | Australasia only | |||
| "The Big E" | "Love Is the Way (instrumental)" "Day 2"** | 7"/12"/CD | 1989 | A&M – ACR 514/ACRY 514/ACRCD514 | 96 | |||
| "Backs to the Wall" | "Backs to the Wall (Dub)" "Be What You Wanna Be" (ACR version) | 7"/12" | 1989 | A&M – ACRY 517 | 81 | |||
| "Your Blue Eyes" | "Thin Grey Line" "Coldest Days" | 7"/12" | 1989 | A&M – ACRY 534 | ||||
| "Won't Stop Loving You (Bernard Sumner version) | "Repercussions" (ACR remix) "Love Is The Way" (Instrumental) | 7"/12" | 1990 | A&M – ACRY 540 | 55 | |||
| "Won't Stop Loving You (Bernard Sumner version) | "Won't Stop Loving You (Norman Cook remix) "Won't Stop Loving You (Cook Instrumental) | 7"/cas/CD | 1990 | A&M – ACRY 540 | ||||
| Good Together EP | 12" | 1989 | A&M | |||||
| "Shack Up (Machine)" | "Shack Up (Man)" "Shack Up" (Norman Cook remix) "Party Up" | 12" | A&M – ACRYDJ 590 | Promo only | ||||
| "The Planet" | "Loosen Up Your Mind" | 12" | 1991 | Rob's – 12 ROB 2 | ||||
| "27 Forever (Bubble Bath Mix)" | "27 Forever (Fix Mix)" (both remixed by Jon Dasilva) | 12" | 1991 | Rob's – 12 ROB 5R | ||||
| "Mello" | "Dub" "27 Forever" (Jon Dasilva remix) "Moist Dub" | 12" | 1992 | Rob's – 12 ROB 6R | ||||
| "Turn Me On" | versions | 12"/CD | 1993 | Rob's – 12 ROBS 11/CDROB11 | ||||
| "Tekno" | "Tekno" (Way Out West remix) | 12" | 1993 | Rob's – 12 ROBS 18 | ||||
| "Shack Up" | 3 mixes of "Shack Up" "Life's a Scream" (Shaven not Stirred mix) | 12"/CD | 1994 | Creation – CRE151T/CRESCD151 | ||||
| Soundstation Volume 1 EP | "Samba 123" "Yeah Boy" "Desire" "Funk Off" | 12"/CD | 1996 | Rob's – 12ROB48/CDROB48 | ||||
| Soundstation Volume 2 EP | "Samba 123" (Fila Brazilia remix) "Yeah Boy" (Sons of Samarkand remix) "Yeah Boy" (DJ Die) | 12"/CD | 1997 | Rob's – 12ROB52/CDROB52 | ||||
| "Shack Up" | Human League – "Being Boiled" | 12" | 2001 | Soul Jazz – SJR 57-12 |
*Cassette-only tracks **CD-only tracks
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